Yearly we notice too many Hindi movies hit the cinema halls and is actually quite difficult to get a Hindi movie which has been made without songs. Songs are integral to any Hindi movie. The tradition that has been long ago started is still regarded as the essential factor of a Hindi cinema. There are many movies which become strike not for its superiority in relation to scripts or maybe the marvelous acting of famous actors – but it’s because of music – which was made up of good and catchy lyrics. We presume all songs to have the effect of words of the tune – otherwise it’s difficult for a common man to decipher through musical technology notes without any words of the tune. pagalworld
Many Bollywood movie hindi lyricist were Ghazal poets and they turn to Bollywood for fame and good career prospects. They will were very good with words which helped them to have a very good sense of music. Consequently there was a mark of quality in the song that were churned out in yesteryears.
Writing Hindi words of the tune is a two way process:
A, the musician and performer writes a musical track or he creates a track and after improving it he sung it for the lyricist in ‘laa, laa, naa, naa…. type of dhun/tune format. Thus giving the lyricist the idea to know the invisible words forming its melody. And, once he knows the positions of words – he starts writing. It’s called writing to a tune. Syllabe matter is a vital element. The poet must count the each note of the tune with exact sound words
B, occasionally the lyricist already has some poems which he recites and the music overseer starts humming it in certain sort of tune. In this form of lyrics for music – the words may change its metaphor to a sizable extent sometimes or sometimes it’s retained intact – it will depend on how well the written lyrics are adaptable to a some sort of worthy tune.
The mukhda first followed with an antra is the widely used format of all hindi lyrics. We can say that it’s actually the format of musical records which are created in mukhda and antra style which is followed by the lyrics writers to mingle with notes easily.
Mukhda is the first part of the music and antra is the second part of music. Generally it’s divided into three parts the first being the mukhda and then followed by 2 antra’s. every antra telephone calls back the mukhda having its last line which is written in rhyme with the mukhda’s any particular line which music overseer picks up to assimilate it with antra’s previous line. Generally it’s the last brand of the mukhda. But now a days and nights it’s not strictly used.